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Women in the White House :
Madame Secretary and
​the Greater Good
​

by Paulette Reynolds
December 17, 2015
Madame Secretary - political drama

CBS * 2014
Creator/Ex. Producer Barbara Hall
Starring Tea Leoni/Dr. Elizabeth McCord, Tim Daly/Dr. Henry McCord, Bebe Neuwirth/Nadine Tolliver, Keith Carradine/POTUS, Zeljko Ivanek/Russell Jackson.


VEEP - political satire

HBO * 2012
Starring Julia Louis-Dreyfus/Selina Meyers, Tony Hale/Gary Walsh, Anna Chlumsky/Amy Brrokheimer, Sara Sutherland/Catherine Meyer, Gary Cole/Kent Darius, Sufe Bradshaw/Sue Wilson, Matt Walsh/Mike McLintock, Reid Scott/Dan Egan, Timothy Simons/Jonah Ryan
“Television is a medium that lends itself to manipulation, exploitation, and gimmicks. Political campaigns can actually be taken over by the public relation experts who tell the candidate not only how to use television, but what to say, what to stand for, and what kind of person to be.”  *

                           Barry Levinson, Director, Poliwood, 2008
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American television has never been so good for women, as indicated by the abundance of cable and primetime TV programming, all celebrating a new era of female-centered shows.  Every night features comedies, dramas, mysteries and reality series, reflecting Hollywood's changing view of the emerging diversity that is Empowered Woman.  Two current shows, VEEP and Madame Secretary, demonstrate conflicting sides of one very limited - and very powerful - job position: that of a woman serving in the White House. ​
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Political propaganda masquerading as entertainment is easily digested with a heavy side dish of humor or melodrama, and  CBS's Madame Secretary, starring Tea Leoni and Tim Daly, serves up a steady diet of the latter on Sunday evenings.  Tucked in between The Good Wife and 60 Minutes, this over-cooked political drama series (an homage to former SOS Madeleine Albright) hovers somewhere between fantasy and soap opera as Secretary of State Elizabeth McCord navigates American politics 24/7 to keep us safe "for the greater good". ​
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SoS McCord trods the politically correct path of high stakes conflict resolution as she appeals to the better side of human nature in world leaders and Washington insiders.  Along the way she circumvents a weekly family drama with her oh-so-understanding mate, Dr. Henry McCord, whether it be trimming the holiday tree to allowing her youngest offspring a chance to play football.  And she does it with such a modern maternal flair that it makes CBS's working mom Amy Gray (Judging Amy) look like a drunken sloppy second.  All that's missing from Elizabeth's wardrobe is a neon halo.  Is it any wonder that former SoS - and 2016 presidential candidate - Hillary Clinton gushes that it's her "favorite guilty pleasure"?
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Reality is sometimes hard to swallow, especially for a global political figure like Ms. Clinton. Maybe that's why Tea Leoni was chosen to bring Hillary's avatar to life.  Leoni wears her halo with a strained mask of perpetual, long-suffering angst that's impossible to fathom.  Is she indicating how serious her job is or that she’d rather be somewhere else?  Perhaps a bit of both? 
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Series creator Barbara Hall helms a writing team that tailors character Elizabeth McCord into a one-dimensional suit that threatens to cut off her breath at any given moment.  It's galling to see her SOS whine about terrorism, global warming and bellicose superpowers as though hoping her Valium-induced voice will sooth the testosterone firmly seated in the Oval Office into progressive change.  A talent like Leoni diminishes herself in such a role - not to mention as a role model for women aspiring to power - but it's nothing like the tragedy of a truly stupid storyline that Tim Daly has to sleep-walk through. Producer Barbara Hall's Roman Catholic beliefs are echoed by Dr. Henry McCord's lofty day job, teaching theology up on the hill, while he moonlights in the down-and-dirty world of an a NSA operative at night.  Maybe Elizabeth and Henry could wear matching halos?
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It's easy to see why Hillary's not listing HBO's VEEP as one of her primetime faves, because Vice President-turned-POTUS Selena Meyers is no tight-faced martyr of melodrama.  This sharply-etched political satire tilts towards the opposite spectrum by exposing the dark underbelly that is the Washington Political Animal.  Julia Louis-Dreyfus is mesmerizing as Selena Meyers, whose craven obsession with power and respectability lands her in all manner of bizarre situations that quickly reach critical "clusterf*cks", thanks to her staff of self-serving misfits. ​
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Politicians wear a thick coat of entitlement, and are supremely oblivious to it, which makes them almost irresistible - much like the lapdogs that dutifully answer Hillary's imperious texts at all hours. Selena's a perfect foil for Elizabeth McCord's White House brand of activism, because her sole concern is satisfying her momentary impulses, and if it helps the 'greater good' she's just as pleasantly surprised as the rest of us.  VEEP is really my favorite guilty pleasure.
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I'd like to think that having a woman in the White House could produce a series that moves beyond tired stereotypes and bitter buffoonery, but Hollywood is leaving nothing to chance.  After all, tucked in between these two extremes lies their purpose, which is raising awareness for the need to have Ms. Clinton as our first female president. So the task then falls to the filmmakers to sell this political narrative, but the Hollywood honchos (lead by former Democratic Senator Chris Dodd, now the Chairman and CEO of the Motion Picture Association of America/MPAA) just can't get past their innate gender bias to star a woman as President.  A soldier - sure.  A spy - absolutely. A CEO - of course!  The POTUS - whaa? ​
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Since 1934, 124 cinematic male presidents have diverted our collective gaze, until television finally lassoed a woman into the Oval Office in 1985, inaugurated by Patty Duke's comedy series, Hail to the Chief.  Nine women can say they’ve sat in the President's chair since then - on the small screen, that is.  Today it makes better sense to employ television as the medium of choice, because more people - especially women - watch television across multiple platforms, which means reaching more potential voters.
But beyond creating the idea of a female Commander-in-Chief is the more powerful act of herding the masses to the voting booth in 2016. Both Madame Secretary and VEEP steer their fans towards the liberal ticket, which is not surprising, since the White House - and Hollywood - are run by the Democratic Party. Since Mr. Levinson made his observation about television's over-reaching power during Barack Obama's candidacy in his film, Poliwood, social media has created a more informed national audience.  Informed - not necessarily smarter - because the  process of watching a screen can encourage the thinking centers in our brain to be lulled into a trance state.  That's great for suggestibility, bad for critical thinking.
And although he was referring to the ease of using television to promote a candidate into the White House, this truth also extends to a television collective creating shows to promote their favored causes and candidates - and enemies.
While there's nothing new about such manipulation, the American audience appears comfortable with the practice of tucking propaganda into every facet of our mass media, culture and lifestyles.  My only complaint is that with all the creative power that thrives in Hollywood, they’re still stuck on offering primetime pablum like Madame Secretary.


But okay - it's for the greater good.
* Paulette Reynolds. Outside Hollywoodland.com,  June 27, 2010. Poliwood and the Hollywood Blacklist. December 17, 2015. Paulette Reynolds  ​http://www.cinematasmoviemadness.com/poliwood-and-the-hollywood-blacklist.html
COPYRIGHT 2012/2016. Paulette Reynolds.  All CineMata Movie Madness blog articles, reviews, faux interviews, commentary, and the Cine Mata character are under the sole ownership of Paulette Reynolds.  All intellectual and creative rights reserved.